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    <loc>http://www.esperanzacortes.com/work</loc>
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    <lastmod>2026-03-16</lastmod>
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      <image:title>Projects</image:title>
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      <image:title>Projects - LA MINERA</image:title>
      <image:caption>2016, clay sculpture, chains, 40" l x 8" w x 4" d La Minera was created during my residency in 2016 at the Sculpture Space in Utica, NY. Many Afro-Colombian gold miners in Colombia are women who have been mining since they were in their mothers’ wombs. The land that they have mined for hundreds of years is being stolen by the Colombian government.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1445369201744-BWCKD41NCLHYN7585A7J/IMG_0762.JPG</image:loc>
      <image:title>Projects - A ROSE BY ANY OTHER NAME</image:title>
      <image:caption>2011, outdoor site-specific installation - WWII Bunker, river stones, community work, 18’ dia. Bielska BWA Gallery, Bielsko-Biała, Poland As part of the Beyond Time Artist-in-Residency program for Galerie Bielsko BWA, an outdoor site-specific community installation was created for the city of Bielsko-Biała, Poland. The rose sits on top of a Nazi bunker in front of City Hall. A remnant of Poland’s history in WWII. One symbol covers another symbol. The Biała River and the shield of Biała are the catalysts for the large installation work. At the center of the rose is an eye. It is the eye of nature watching us. Poland is now going through many negative changes very quickly in its attitude toward the preservation of their remarkable nature. More than 18 individuals, children, teenagers, and adults participated in the making of The Rose. The installation includes a small quantity of river rocks that were gathered for their symbolic value from the Biała river next to the bunker in an intervention in association with members of Klub Gaja, one of the most important environmental groups in Poland and Europe.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1714436798452-4BOR0P3DOCWSZD4HWZXT/Esperanza+Cortes+2-24-08-033724.jpeg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1714438846220-W796HX17N9CZ5SSU6W5I/UNADJUSTEDNONRAW_thumb_1800.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1757784481079-1VXIHEPVLYJ7BDSXIOKM/IMG_4200.jpg</image:loc>
      <image:title>Projects - THE THORNS</image:title>
      <image:caption>2025, Mixed media collage on handmade paper Created during my residency at Yaddo</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1592277209797-MSTYU9KJCX2BJZZBGJ64/Screen+Shot+2020-06-15+at+11.12.54+PM.png</image:loc>
      <image:title>Projects - RED RIVER</image:title>
      <image:caption>FRESCO</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1734053948505-EFPQZBVV0BOKAAFEL1A1/Crib.jpg</image:loc>
      <image:title>Projects - CRADLE</image:title>
      <image:caption>2025, vintage wood cradle, glass beads, personal embroidery, crystals, gold plated chain, encaustic, 33” h x 22” w x 16” d Cradle addresses the humanitarian crisis taking place at the Southern US Border. Family separation is a cruel and inhumane policy whose system is overwhelmed. The work utilizes a 100 year old cradle, which is labored with embroidery, sequin, vintage glass pieces and glass beads indicating the place for someone royal. The inside of the cradle is full of growing vines ready to take back this being into the earth. The vintage green glass pieces symbolizing precious minerals, highlighting the original subordination of Latin America and the Caribbean to the status of an unofficial colony of the USA and European entities. The legalization of the precious materials removed from these lands while making illegal the people coming from these regions. Much of the embroidery takes form as flowers and leaves, symbols of the nature that has enriched these Colonial nations.</image:caption>
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  <url>
    <loc>http://www.esperanzacortes.com/blog</loc>
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    <lastmod>2013-10-05</lastmod>
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  <url>
    <loc>http://www.esperanzacortes.com/new-projects</loc>
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    <lastmod>2025-07-01</lastmod>
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      <image:title>News</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1751331186618-2TMZBM96KXS0HUTNGQUI/Esperanza+in+Provincetown+Magazine%2C+May+29-June+4%2C+2025+-+Copy.jpg</image:loc>
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      <image:title>News - Turchin Center For The Visual Arts</image:title>
      <image:caption>Video interview of my solo exhibition Canté Jondo/Song of the Blind at the Turchin Center For The Visual Arts.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1714190878872-XZDLIYVFUFEZYSUYIE2R/Untitled+2.jpg</image:loc>
      <image:title>News</image:title>
      <image:caption>Colombian-born, multidisciplinary artist Esperanza Cortés shares a passion for the mosaic of the Americas and their confluence of cultures reflected in their art traditions, rituals, music, dance, and art. Cortés’s recent mixed media sculptures and installations explore the theme of injustice that is at the root of the predatory gem and mineral excavation industry. The mining of precious stones has been an influential factor in the continued colonization of Colombia, having helped to fund the more than 60-year conflict there. Violence stemming from the mineral mining industries have also affected Brazil, as well as several African nations. Canté Jondo makes visible the human cost that is provoked by these mineral extractions, raising critical questions about the politics of erasure and exclusion in the aftermath of colonialism.     Curator - Gabriel De Guzman   Image: Esperanza Cortés, Charlotte, 2019, Installation with chair, found embroidery, silk flowers, glass beads, crystals, metal thread, metal jewelry pieces, chain, ceramic, pigment, faux pearls, plaster on wire mesh, wood,   9’ x 15’ x 9’. Created during my residency at McColl Center for Art + Innovation. Photo: Mitchell Kearney</image:caption>
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      <image:title>News - Esperanza Cortes - La Cumbiambera, 2018</image:title>
      <image:caption>This video was produced during my BRIC Media Arts Fellowship in 2018.</image:caption>
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      <image:title>News - ARRESTED SYMPHONY</image:title>
      <image:caption>SOLO EXHIBITION, JONATHAN FERRARA GALLERY</image:caption>
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      <image:title>News - The Border Project Space</image:title>
      <image:caption>Two person exhibition with Michael Pribich</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1563126878485-3ESPS79O4MM6QZ1JHYHM/THOMAS+HUNTER.jpg</image:loc>
      <image:title>News - Thomas Hunter Project Space</image:title>
      <image:caption>Solo installation</image:caption>
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      <image:title>News - DEMISE</image:title>
      <image:caption>Group exhibition at CSU Galleries Cleavland</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1523406899957-TVRXDP0DNKP4UDQE782V/Screen+Shot+2018-04-06+at+2.18.31+PM.png</image:loc>
      <image:title>News - Guggenheim Fellowship Award</image:title>
      <image:caption>Guggenheim Fellow 2018</image:caption>
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      <image:title>News - SONATA OSCURA</image:title>
      <image:caption>GALERÍA DEL BARRIO 162 1/2 E 104th Street NYC, NY 10029</image:caption>
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      <image:title>News - Museum of Art and Design</image:title>
      <image:caption>MAD is pleased to welcome a new cycle of #MADArtistStudios residents, including Esperanza Cortés</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1522179066799-F2HICF20BWSYC4UGR970/IMG_0217.jpg</image:loc>
      <image:title>News - SONATA OSCURA - EARTH MADE FLESH</image:title>
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      <image:title>News - BRIC WORKSPACE RESIDENCY 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1522180122128-FYR40S6I34YOQG6N26YU/IMG_0218.jpg</image:loc>
      <image:title>News - WHITEHOT MAGAZINE ARTICLE ABOUT MY WORK</image:title>
      <image:caption>https://whitehotmagazine.com/articles/basel-miami-beach-debut-/3839</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5542b9fde4b095129a4d6ee7/1522177349051-TF5Y78NZYYW8VN2G1D2A/IMG_3396.jpg</image:loc>
      <image:title>News - BRIC GALA 2017</image:title>
      <image:caption>I am so pleased to have my work featured at the at the BRIC GALA. Three of my installations were highlighted including an animation of my piece OJO.</image:caption>
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  <url>
    <loc>http://www.esperanzacortes.com/new-gallery-1</loc>
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    <lastmod>2018-10-21</lastmod>
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    <loc>http://www.esperanzacortes.com/las-minera</loc>
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    <lastmod>2018-10-21</lastmod>
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      <image:title>Las Minera</image:title>
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      <image:title>Las Minera</image:title>
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    <lastmod>2023-07-08</lastmod>
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    <lastmod>2018-10-21</lastmod>
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    <lastmod>2026-03-16</lastmod>
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    <lastmod>2025-09-13</lastmod>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.esperanzacortes.com/teaching-experience-and-community-arts-residencies</loc>
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    <lastmod>2023-07-08</lastmod>
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